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Balancing Risks
In every walk of life there are rules that help us understand
how to act or how to do things better. And that's certainly
true in communications. We have rules for good design. Rules
for effective headlines and copy. Rules for producing attention-getting
radio and television. But interestingly enough, some of the
best advertisements break all the rules. In fact, innovation
often comes from those writers, designers and producers that
are willing to take a chance...do things a little bit differently
than the rest of the pack.
As Charles Lindbergh put it, I don't believe in foolish
chances, but nothing can be accomplished without taking any
chances at all. In advertising, we need to balance experience
with the drive to be unique, interesting and creative.
Attract attention
The primary goal of any creative is to attract attention
and invite prospects to find out more about the advertised
product or service. In a cluttered media environment, you
have no chance of communicating successfully if you can't
attract initial interest. Looking at solutions from different
angles and perspectives, developing fresh ways of visualizing
things or novel ways of telling about them are at the heart
of producing memorable advertising. When designers or writers
break the rules, they usually do so for a desired impact.
Take one of the highest-scoring ads of all time, an ad for
the Volkswagen beetle. The visual was a simple line illustration
that followed the shape of the VW beetle. The headline/subhead
read, How long can we keep feeding you the same old
line? Forever, we hope.
The ad broke several rules. It used a line drawing instead
of a photograph. Its headline did not promise a benefit or
offer a positive selling proposition. However, the body copy
reported on the beetle's much higher resale value
and turned a negative ( ...the same old line)
into an advantage consumers reacted to very strongly.
Be interesting.
When we follow the rules to the letter, we miss opportunities
to create outstanding advertising. On the other hand, if we
ignore or don't understand the rules, we increase our chances
of never hitting the mark.
In his book Ogilvy On Advertising, David Ogilvy writes,
I do not regard advertising as entertainment or an art
form, but as a medium of information. When I write an advertisement,
I don't want you to tell me that you find it 'creative.' I
want you to find it so interesting you buy the product.
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